Complete Guide

How to Claim Music Royalties in Indonesia

Full legal flow under Law 28/2014 on Copyright and Government Regulation 56/2021 on Music Royalty Management — covering work registration, the role of LMKN & CMOs, distribution, taxation, and cross-border claims.

Accuracy note. This guide is informational, not legal advice. For specific cases consult a qualified IP lawyer and tax adviser. References: Law 28/2014, GR 56/2021, Law 7/2021 (HPP), Law 36/2008 (Income Tax), and Indonesia's tax treaties (DTAs).

1. Quick Summary

Music royalties in Indonesia operate under a compulsory collective licensing model run via Lembaga Manajemen Kolektif (LMK / CMOs). Commercial users — cafés, hotels, radio, TV, karaoke, streaming — must pay royalties to LMKN, which redistributes them through licensed CMOs to composers, lyricists, performers, and producers whose works are registered in the National Music Data Centre (SILM).

Register works

with a licensed CMO & SILM, with ISWC/ISRC and writer splits.

CMOs collect

via LMKN, the single window for commercial-user royalties.

You get paid

distributions less an audited admin fee.

2. Map of Players

PartyRoleLegal Basis
DJKI (IP Office)Registers copyrighted works; evaluates & licenses CMOs.Law 28/2014 art. 64–79, 88
LMKN PenciptaSets tariffs and coordinates collection of authors' royalties.Law 28/2014 art. 89(1)
LMKN Pemilik Hak TerkaitSame role for neighbouring-rights owners (performers, producers).Law 28/2014 art. 89(1)
Licensed CMOs (WAMI, KCI, RAI, ARDI, SELMI, SMI, etc.)Represent members; receive & distribute royalties from LMKN.Law 28/2014 art. 87–88; GR 56/2021
SILMNational Music Data Centre — single source of truth for works, ownership and royalty transactions.GR 56/2021 art. 9
Publishing administrators (e.g., LMKN, Songtrust, Sentric)Handle registration, metadata, cross-border claims for rights holders — not CMOs.Civil agency / power of attorney

3. Rights & Royalty Streams

Author rights (composers & lyricists)

  • Performing rights — public performance (radio, TV, venues, cafés).
  • Mechanical — reproduction & on-demand streaming.
  • Synchronization — film, advertising, games, video.
  • Print — sheet music & lyrics.

Neighbouring rights (performers & producers)

  • Master / phonogram use in public.
  • Performer rights over fixed performances.
  • Producer rights — fixation & reproduction.
  • Broadcaster rights.

Note: songwriters (composer + lyricist) and master owners (producer/label) are two separate royalty pots. The same work can generate two parallel revenue streams.

4. The 7-Step Royalty Flow

  1. Step 1 — Record the work at DJKI

    Legally optional (copyright arises automatically), but strongly recommended as formal proof. Register at hakcipta.dgip.go.id. Fees roughly IDR 200,000–600,000 per work.

  2. Step 2 — Establish writer splits

    Create a written split sheet: writer names, role (music/lyrics), percentages, IPI/CAE numbers. Without splits, cross-border claims will stall.

  3. Step 3 — Join a licensed CMO

    Pick one author CMO (e.g., WAMI or KCI) for performing/mechanical collection. For neighbouring rights, join an LMK Hak Terkait (RAI, ARDI, SELMI, SMI). You may switch CMO at year-end (GR 56/2021 art. 13).

  4. Step 4 — Register the work in SILM

    The National Music Data Centre is the single source of truth for distribution. Register via your CMO or directly. Mandatory data: title, ISWC, ISRC, writers + splits, performer, producer, release year.

  5. Step 5 — Users pay royalties

    Commercial users pay LMKN at the official tariffs. GR 56/2021 mandates a single window through LMKN to avoid duplicate billing.

  6. Step 6 — Distribution LMKN → CMO → member

    LMKN's operating cost is capped at 20% (Law 28/2014 art. 90). The remainder flows to licensed CMOs based on usage logs (cue sheets, broadcast monitoring, platform reports). The CMO adds its own admin fee (typically 10–25%) and distributes to rights holders at least once per year (GR 56/2021).

  7. Step 7 — Audit & reclaim

    You may request distribution statements and file correction claims for missing royalties. CMOs must publish audited annual financials.

5. SILM — The Distribution Backbone

SILM is the single national information system for works, ownership, and royalty transactions, established under GR 56/2021. If a work is not in SILM, it cannot share in distributions. Registration is therefore the most critical step.

Publishing-admin tip. Services like LMKN make sure your metadata matches across SILM (Indonesia), CISAC (global), MLC (US) and partner CMO databases — metadata mismatches are the #1 cause of unpaid royalties.

6. LMKN Royalty Tariffs (Reference)

Tariffs are set by LMKN via Ministerial Decree. Indicative bases (check current values at lmkn.id):

Use TypeTariff Basis
Restaurants & cafésper seat / year
Hotelsper room / year (by star rating)
Shopping mallsper m² of commercial area / year
Karaokeper room / month
Concerts% of ticket revenue
Radio & TV% of gross ad revenue
On-demand streaming% of platform revenue

Official rates: see the "Tarif" section at lmkn.id.

7. Distribution & Reporting

  • LMKN operating cost ≤ 20% of collected royalties (Law 28/2014 art. 90).
  • Timely distribution — at least once a year; many CMOs target quarterly.
  • Audited annual reports by a licensed public accounting firm.
  • Member audit right — you may demand distribution detail for your works.

8. Cross-Border Claims

Indonesian artists collecting abroad

Indonesia is a Berne & WIPO Copyright Treaty member, so Indonesian works are protected in 180+ countries. Collection paths:

  • Indonesian CMOs (WAMI/KCI) hold reciprocal agreements with foreign CMOs (ASCAP, BMI, PRS, GEMA, JASRAC, KOMCA, etc.).
  • Royalties collected by foreign CMOs flow back to your Indonesian CMO and then to you.
  • For active, faster collection, use a publishing administrator with direct foreign-CMO access.

Foreign artists collecting in Indonesia

Foreign rights holders may either:

  • Rely on the reciprocal route via their home CMO ↔ Indonesian CMO (often slow with metadata mismatches); or
  • Appoint a local/regional publishing administrator (e.g., LMKN) to register works directly in SILM and with Indonesian CMOs for faster, more accurate matching.

9. Tax on Royalties

For Indonesian-resident rights holders (WPDN)

  • Income Tax Article 23 (PPh 23)15% withholding on gross royalty paid by the CMO/LMKN. Withholding slip (bukti potong) is creditable in your annual return.
  • Without a tax ID (NPWP), the withholding becomes 30% (200% of normal).
  • The 0.5% MSME final tax (GR 55/2022) does not apply to royalties — royalties always fall under Art. 23.
  • VAT — copyright services are VAT-able. If your annual turnover exceeds IDR 4.8 billion you must register as PKP and charge 11% VAT (12% scheduled per Law 7/2021 HPP).

For foreign rights holders (WPLN)

  • Income Tax Article 26 (PPh 26)20% withholding on gross royalty paid abroad.
  • Tax treaties (DTAs) can reduce this to 10–15%. Examples: US 10%, Netherlands 10%, UK 15%, Japan 10%, Australia 15%, Singapore 15%, Korea 15%, Germany 15%.
  • To claim the treaty rate, the foreign holder must file a Certificate of Domicile (Form DGT-1 / DGT-2) valid at the time of payment. Without it, the default 20% applies.
  • The Indonesian withholding slip can be used for foreign tax credit in the home jurisdiction subject to local rules.
Avoid double taxation. Always pair every cross-border royalty payment with complete treaty paperwork. Documentation errors are the #1 reason refund claims drag on for months.

10. Disputes

  • LMKN mediation — first stop for disputes between rights holders and users.
  • Commercial Court (Pengadilan Niaga) — civil copyright actions (Law 28/2014 art. 95).
  • BANI — Indonesian arbitration where the contract has an arbitration clause.
  • Criminal sanctions — Law 28/2014 art. 113 covers commercial-purpose copyright infringement (imprisonment & fines).

11. Practical Checklist for New Rights Holders

12. FAQ

Can I join LMKN directly?

No. LMKN is not an individual-membership body. Rights holders join a licensed CMO; LMKN only operates as the collective collection window.

How long until the first royalty arrives?

Typically 6–18 months because user reports → LMKN → CMO → member moves on quarterly/annual cycles.

Do my YouTube/Spotify works auto-collect in Indonesia?

Mechanical/streaming royalties are paid by platforms to MLC/global CMOs and then reciprocated. But performing royalties for café/radio use in Indonesia only flow if your work is in SILM & an Indonesian CMO.

Can I be in more than one CMO?

For the same right type (e.g., author performing rights), generally only one active CMO. For different right types (author vs neighbouring), you may register in parallel.

Can older works (pre-GR 56/2021) still earn royalties?

Yes, as long as the protection term still runs (typically 70 years post-mortem auctoris under Law 28/2014 art. 58) and the work is registered in SILM/CMO.

Need help with registration & claims?

Lintas Media Kreasi Nusantara is a non-profit publishing administrator helping Indonesian and foreign rights holders sort out registration, metadata, and cross-border royalty claims. Contact us: info@lmkn.org

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Last updated: May 10, 2026. This page is not legal or tax advice.